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	<title>Konrad Dwojak Photography - Photographer in Brussels, Belgium</title>
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	<link>http://www.konraddwojak.com</link>
	<description>I don&#039;t take pictures. I make pictures!</description>
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		<title>Mac OS X Tip for Photographers: Inverting Colors</title>
		<link>http://www.konraddwojak.com/2010/12/mac-os-x-tip-for-photographers-inverting-colors/</link>
		<comments>http://www.konraddwojak.com/2010/12/mac-os-x-tip-for-photographers-inverting-colors/#comments</comments>
		<pubDate>Sun, 26 Dec 2010 21:32:11 +0000</pubDate>
		<dc:creator>konrad</dc:creator>
				<category><![CDATA[Other/Artistic]]></category>
		<category><![CDATA[Photography Software]]></category>
		<category><![CDATA[Photography Tips]]></category>

		<guid isPermaLink="false">http://www.konraddwojak.com/?p=1070</guid>
		<description><![CDATA[I was recently browsing through tips &#38; tricks﻿ for Mac OS X and I ran across a trick for inverting colors on a display and a monitor. You can use the &#8216;inverting colors&#8217; function as a photographer on Mac OS X during editing and post-production. For example, if you have a bright picture or a picture with a big area with bright colors (for example the white color) and you need to locate, edit, heal and clone out dark spots (sensor dust, airplanes, birds, etc.), inverting colors can be very handy, especially when your eyes feel tired in finding these little spots. Inverting colors in post-processing in such situations is just perfect because its much easier to find bright spots on the dark background rather than the opposite. In order to invert colors in Mac OS X press Ctrl+Option(Alt)+Cmd+8 and your colors are inverted. To return to the normal color scheme, press the same keys again. Article Picture: I went to the China Town when visiting Antwerp in 2010. This red Chinese lamp really stood out of the background and the environment.]]></description>
			<content:encoded><![CDATA[<p><span style="font-family: Verdana, 'BitStream vera Sans', Helvetica, sans-serif; font-size: 12px; line-height: 17px;">I was recently browsing through tips &amp; tricks﻿ for Mac OS X and I ran across a trick for inverting colors on a display and a monitor. You can use the &#8216;inverting colors&#8217; function as a photographer on Mac OS X during editing and post-production. For example, if you have a bright picture or a picture with a big area with bright colors (for example the white color) and you need to locate, edit, heal and clone out dark spots (sensor dust, airplanes, birds, etc.), inverting colors can be very handy, especially when your eyes feel tired in finding these little spots. Inverting colors in post-processing in such situations is just perfect because its much easier to find bright spots on the dark background rather than the opposite.</span></p>
<p><span style="font-family: Verdana, 'BitStream vera Sans', Helvetica, sans-serif; font-size: 12px; line-height: 17px;"><span id="more-1070"></span><br />
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<p><span style="font-family: Verdana, 'BitStream vera Sans', Helvetica, sans-serif;"><span style="line-height: 17px;">In order to invert colors in Mac OS X press <strong>Ctrl+Option(Alt)+Cmd+8</strong> and your colors are inverted. To return to the normal color scheme, press the same keys again.</span></span></p>
<p><span style="font-family: Verdana, 'BitStream vera Sans', Helvetica, sans-serif;"><span style="line-height: 17px;">Article Picture: I went to the China Town when visiting Antwerp in 2010. This red Chinese lamp really stood out of the background and the environment.</span></span></p>
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		<title>Goodbye Aperture 3, Welcome Lightroom 3.</title>
		<link>http://www.konraddwojak.com/2010/08/goodbye-aperture-3-welcome-lightroom-3/</link>
		<comments>http://www.konraddwojak.com/2010/08/goodbye-aperture-3-welcome-lightroom-3/#comments</comments>
		<pubDate>Mon, 02 Aug 2010 15:10:35 +0000</pubDate>
		<dc:creator>konrad</dc:creator>
				<category><![CDATA[Nature & Animals]]></category>
		<category><![CDATA[Other/Artistic]]></category>
		<category><![CDATA[Photography Software]]></category>

		<guid isPermaLink="false">http://www.konraddwojak.com/?p=832</guid>
		<description><![CDATA[It&#8217;s official: I&#8217;ve switched over to Adobe Photoshop Lightroom 3. I know that some of you followed previously my experience with testing Apple&#8217;s Aperture 3 when it came out. Unfortunately, the processing speed of RAW files in Aperture 3 became simply unacceptable for me &#8211; waiting for 4 minutes for a program to process some adjustments within an image can be painful and a big time-waster as you can imagine. I gave a try to Lightroom 3 a week ago and I edited the latest photo shoot with it. I have to admit that I&#8217;m very happy with Lightroom 3 &#8211; it&#8217;s fast, intuitive and it didn&#8217;t take me as long as I thought it would to learn it. Therefore, I advice to anyone having problems with Apple Aperture 3 to at least try Adobe Lightroom 3 (there is a 30-day free fully functional trial version) &#8211; you might be as positively surprised as I was.]]></description>
			<content:encoded><![CDATA[<p>It&#8217;s official: I&#8217;ve switched over to <a href="http://www.adobe.com/nl/products/photoshoplightroom/" target="_blank">Adobe Photoshop Lightroom 3</a>. I know that some of you followed previously my experience with testing Apple&#8217;s Aperture 3 when it came out. Unfortunately, the processing speed of RAW files in Aperture 3 became simply unacceptable for me &#8211; waiting for 4 minutes for a program to process some adjustments within an image can be painful and a big time-waster as you can imagine.</p>
<p><span id="more-832"></span></p>
<p>I gave a try to Lightroom 3 a week ago and I edited the latest photo shoot with it. I have to admit that I&#8217;m very happy with Lightroom 3 &#8211; it&#8217;s fast, intuitive and it didn&#8217;t take me as long as I thought it would to learn it. Therefore, I advice to anyone having problems with Apple Aperture 3 to at least try Adobe Lightroom 3 (there is a 30-day free fully functional trial version) &#8211; you might be as positively surprised as I was.</p>
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		<title>Aperture 3: Why Video in Photography Software?</title>
		<link>http://www.konraddwojak.com/2010/03/aperture-3-why-video-in-photography-software/</link>
		<comments>http://www.konraddwojak.com/2010/03/aperture-3-why-video-in-photography-software/#comments</comments>
		<pubDate>Tue, 30 Mar 2010 06:21:50 +0000</pubDate>
		<dc:creator>konrad</dc:creator>
				<category><![CDATA[Other/Artistic]]></category>
		<category><![CDATA[Photography Software]]></category>
		<category><![CDATA[Places]]></category>
		<category><![CDATA[Thoughts on Photography]]></category>

		<guid isPermaLink="false">http://www.konraddwojak.com/?p=707</guid>
		<description><![CDATA[One of the most interesting (and probably unexpected features when Aperture 3 was first released) is the possibility to edit and compile movies from pictures, videos and sound files. I already heard from few people the following question: Ok, but iMovie does the same thing, so why do I need the same feature in Aperture 3? Some of you would react quite right saying that it&#8217;s finally possible to manage both pictures and videos from one application (Aperture 3) and compile a nice movie within it. I agree, the video features and the possibility to create slideshows with audio and video from within Aperture 3 makes it quite a powerful tool. But I believe that there is a second and even more important answer to the question: Why video in Aperture 3, which is essentially a photography software and not a movie-making software? Again, the answer is quite simple (at least at first): The inclusion of video-making in Aperture 3 is because of the changing trends in the photography world and among photographers! Aperture&#8217;s developers have noticed (which actually it&#8217;s hard to miss) that more and more photographers start including video-making into their portfolios and services. I won&#8217;t elaborate too [...]]]></description>
			<content:encoded><![CDATA[<p>One of the most interesting (and probably unexpected features when Aperture 3 was first released) is <a href="http://aperture.maccreate.com/2010/03/28/videos-edited-in-aperture-3-starting-to-show-up-on-vimeo/" target="_blank">the possibility to edit and compile movies from pictures, videos and sound files</a>. I already heard from few people the following question: <em>Ok, but </em><a class="zem_slink" title="IMovie" rel="homepage" href="http://www.apple.com/ilife/imovie/"><em>iMovie</em></a><em> does the same thing, so why do I need the same feature in Aperture 3?</em> Some of you would react quite right saying that it&#8217;s finally possible to manage both pictures and videos from one application (Aperture 3) and compile a nice movie within it. I agree, the video features and the possibility to create slideshows with audio and video from within Aperture 3 makes it quite a powerful tool. But I believe that there is a second and even more important answer to the question: <em>Why video in Aperture 3, which is essentially a </em><a class="zem_slink" title="Photography" rel="wikipedia" href="http://en.wikipedia.org/wiki/Photography"><em>photography</em></a><em> software and not a movie-making software?</em></p>
<p><em><span id="more-707"></span><br />
</em></p>
<p>Again, the answer is quite simple (at least at first): The inclusion of video-making in Aperture 3 is because of the changing trends in the photography world and among photographers! Aperture&#8217;s developers have noticed (which actually it&#8217;s hard to miss) that more and more photographers start including video-making into their portfolios and services. I won&#8217;t elaborate too much here on the reasons for that and the specifications of this changing trend because next article will be specifically devoted to the changing trends in photography. However, I will mention just 2 reasons for the moment:</p>
<p>1) <em>Market Saturation </em>- the photography market has started to be more and more saturated with &#8220;wanna be&#8221; photographers thanks to the falling prices of semi-professional and professional equipment as well as to its growing availability. I think I should clarify what or rather whom I mean by &#8220;wanna be&#8221; photographers before people start jumping on me: I <strong>don&#8217;t</strong> mean young photographers who know what they do (although they still learn the art of photography) and know how to behave like a professional photographer towards clients. If you still wonder what I mean by a &#8220;wanna be&#8221; photographer, watch this video of Judge Joe Brown &#8211; Cheap Wedding Photographer.</p>
<p>2) <em>Video becomes a standard in <a class="zem_slink" title="Digital single-lens reflex camera" rel="wikipedia" href="http://en.wikipedia.org/wiki/Digital_single-lens_reflex_camera">DSLRs</a></em> &#8211; yes, if you&#8217;re a photographer and you&#8217;ve bought a DSLR in the last couple of years, there is a pretty good chance that your camera records decent videos. There is no need to buy an extra video camera. So why not getting new customers for video-making (and earn extra money), while you can keep using existing gear which you&#8217;ve been using for taking (or rather <a href="http://photofocus.com/2009/09/20/make-pictures-dont-just-take-pictures/" target="_blank">making</a>) pictures?</p>
<p>Few real-life examples of photographers who have started or plan to include movie-making into their services:<br />
- probably the most obvious is <a href="http://www.chasejarvis.com" target="_blank">Chase Jarvis</a>. I have no idea when he has started making movies&#8230; but he does and does it often with DSLRs;<br />
- <a href="http://scottbourne.com/" target="_blank">Scott Bourne</a> from <a href="http://www.photofocus.com" target="_blank">PhotoFocus.com</a> &#8211; to me, he is a photography veteran (of course in a very positive sense). He&#8217;s been a long time photography-only <a class="zem_slink" title="Nikon" rel="homepage" href="http://www.nikon.com/">Nikon</a> shooter (at least to my knowledge) and only recently he decided to get few Canon DSLR bodies and add-ons to make movies;<br />
- <a href="http://www.ericroy.com" target="_blank">Eric Roy</a> &#8211; a photographer based in Minneapolis, Minnesota (US). I spoke with Eric just last week and he confessed to me that he is going to start making movies very soon as well and include movie-making in his portfolio and as a part of his services.</p>
<p><strong>Article Picture</strong>: <strong>&#8220;We&#8217;re Waiting For You&#8221; &#8211; </strong>I think this title suits best this picture above. I took it at the<a href="http://maps.google.com/maps?f=q&amp;source=s_q&amp;hl=en&amp;q=cimetiere+de+molenbeek&amp;sll=50.85988,4.312102&amp;sspn=0.004476,0.011265&amp;ie=UTF8&amp;split=1&amp;filter=0&amp;rq=1&amp;ev=zo&amp;t=h&amp;radius=0.25&amp;hq=cimetiere+de+molenbeek&amp;hnear=&amp;ll=50.860313,4.3112&amp;spn=0.004476,0.011265&amp;z=17" target="_blank"> Cemetery de Molenbeek in Brussels (Bruxelles), Belgium (see google map)</a>. EXIF Info: Nikon D90, Shutter Speed: 1/200 sec., f/3.5, Aperture Priority, ISO:200, No Flash</p>
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		<title>Aperture 3 Finally usable: Aperture 3.0.2 Update</title>
		<link>http://www.konraddwojak.com/2010/03/aperture-3-finally-usable-aperture-3-0-2-update/</link>
		<comments>http://www.konraddwojak.com/2010/03/aperture-3-finally-usable-aperture-3-0-2-update/#comments</comments>
		<pubDate>Sun, 28 Mar 2010 07:54:11 +0000</pubDate>
		<dc:creator>konrad</dc:creator>
				<category><![CDATA[Architecture]]></category>
		<category><![CDATA[Photography Software]]></category>
		<category><![CDATA[Places]]></category>

		<guid isPermaLink="false">http://www.konraddwojak.com/?p=700</guid>
		<description><![CDATA[You might recall that I mentioned in my previous blog article I would be moving away from Aperture 3 and I promised to tell you why. Well, things have changed in the past week and they&#8217;ve changed quite dramatically, but in a good sense. Apple released update to Aperture 3 with the number 3.0.2 on 25 March 2010. Although, this update number looks insignificant, it includes many crucial updates and fixes (at least for the most part) what was bothering me the most: extremely low performance of Aperture 3. The detailed description of the fixes in Aperture 3.0.2 update are provided on Apple&#8217;s website here. I spent few hours yesterday testing Aperture 3.0.2 and I have to say I was positively surprised. This update makes Aperture 3 finally usable or as Scott Bourne from PhotoFocus.com wrote: &#8220;Aperture 3.0.2 “ FINALLY Finally Ready For Prime Time&#8221;. It&#8217;s true (and many photographers confirm that) that Apple&#8217;s first public major releases (like Aperture 3.0) are in fact full of glitches and bugs. Therefore, they should be seen by the end users as &#8216;unofficial&#8217; public betas and not final products. Only after few updates (just like in case of Aperture 3), these products become [...]]]></description>
			<content:encoded><![CDATA[<p>You might recall that I mentioned in my <a href="http://www.konraddwojak.com/2010/03/aperture-3-no-need-for-plugins-except/">previous blog articl</a>e I would be moving away from <a title="Aperture" rel="homepage" href="http://www.apple.com/aperture/" target="_blank">Aperture</a> 3 and I promised to tell you why. Well, things have changed in the past week and they&#8217;ve changed quite dramatically, but in a good sense. Apple released update to Aperture 3 with the number 3.0.2 on 25 March 2010. Although, this update number looks insignificant, it includes many crucial updates and fixes (at least for the most part) what was bothering me the most: extremely low performance of Aperture 3. The detailed description of <a href="http://support.apple.com/kb/TS2518" target="_self">the fixes in Aperture 3.0.2 update are provided on Apple&#8217;s website here</a>.</p>
<p><span id="more-700"></span></p>
<p>I spent few hours yesterday testing Aperture 3.0.2 and I have to say I was positively surprised. This update makes Aperture 3 finally usable or as <a href="http://scottbourne.com/" target="_blank">Scott Bourne</a> from <a href="http://photofocus.com" target="_blank">PhotoFocus.com</a> wrote: <a href="http://photofocus.com/2010/03/27/aperture-3-0-2-finally-finally-ready-for-prime-time/" target="_blank">&#8220;Aperture 3.0.2 “ FINALLY Finally Ready For Prime Time&#8221;</a>. It&#8217;s true (and many photographers confirm that) that Apple&#8217;s first public major releases (like Aperture 3.0) are in fact full of glitches and bugs. Therefore, they should be seen by the end users as &#8216;unofficial&#8217; public betas and not final products. Only after few updates (just like in case of Aperture 3), these products become usable. I myself didn&#8217;t use Aperture 3 and I waited for the first update of 3.0.1 but even then, the product was not operational, unusable and buggy. I&#8217;m a little surprised and even disappointed that Apple acts the way it does with its products towards the customers. Maybe they will learn the lesson, especially after such a sound criticism about buggy Aperture 3. Sometimes it&#8217;s good to learn from competitors Apple!</p>
<p>Having said that, I will probably stay with Aperture 3 (well, actually Aperture 3.0.2) as it seems to work fine (more or less at least). I&#8217;ve tested about 75%-80% of the features and performance of its 3.0.2 update and it works much MUCH better than the previous version.</p>
<p><strong>Article Picture:</strong> Some of you might be familiar with it: it&#8217;s <a title="The Atomium" href="http://en.wikipedia.org/wiki/Atomium" target="_blank">theÂ Atomium</a> in <a class="zem_slink" title="Brussels" rel="wikipedia" href="http://en.wikipedia.org/wiki/Brussels">Brussels</a> (Bruxelles), <a class="zem_slink" title="Belgium" rel="wikipedia" href="http://en.wikipedia.org/wiki/Belgium">Belgium</a> (<a href="http://maps.google.com/maps?hl=en&amp;ie=UTF8&amp;q=atomium+brussels&amp;fb=1&amp;hq=atomium&amp;hnear=brussels&amp;cid=0,0,5950107355577726729&amp;ei=4wivS9OBAYP5-Qbj7NW4DQ&amp;ved=0CAcQnwIwAA&amp;z=16&amp;iwloc=A" target="_blank">see map</a>) or at least a part of it.</p>
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		<title>Aperture 3: No need for plugins except&#8230;</title>
		<link>http://www.konraddwojak.com/2010/03/aperture-3-no-need-for-plugins-except/</link>
		<comments>http://www.konraddwojak.com/2010/03/aperture-3-no-need-for-plugins-except/#comments</comments>
		<pubDate>Sun, 21 Mar 2010 21:48:16 +0000</pubDate>
		<dc:creator>konrad</dc:creator>
				<category><![CDATA[Other/Artistic]]></category>
		<category><![CDATA[People & Portraits]]></category>
		<category><![CDATA[Photography Software]]></category>

		<guid isPermaLink="false">http://www.konraddwojak.com/?p=693</guid>
		<description><![CDATA[I&#8217;ve been testing Aperture 3 for a couple of weeks now an my experience with it as a photographer is very mixed. Besides being very positively surprised with new features, there are things that make me switch to alternative programs (next blog article will be on that). But for now, I want to share with you my &#8216;positive&#8217; conclusion: I don&#8217;t need additional plugins while using Aperture 3 except for BorderFX Aperture Plugin. Apple introduced many new features (like brushes with special effects, brush in/out adjustments, and many more) in Aperture 3 and I have to say that many plugins which I use with Aperture 2 are unnecessary and even useless. One of the most important feature for portraits for me is skin smoothing, a new feature in Aperture 3. There are many more feature in Aperture 3 and going over would take too much time. The bottom line is: it seems that I don&#8217;t need now to have any additional plugins in Aperture 3 except for BorderFX Aperture Plugin , which I mainly use to apply a watermark when exporting post-processed pictures. Unfortunately, BorderFX is still only available in 32-bit mode (at least when this post was written) and [...]]]></description>
			<content:encoded><![CDATA[<p>I&#8217;ve been testing Aperture 3 for a couple of weeks now an my experience with it as a photographer is very mixed. Besides being very positively surprised with new features, there are things that make me switch to alternative programs (next blog article will be on that). But for now, I want to share with you my &#8216;positive&#8217; conclusion: I don&#8217;t need additional plugins while using Aperture 3 except for <a href="http://www.iborderfx.com/BorderFX/" target="_blank">BorderFX Aperture Plugin</a>.</p>
<p><span id="more-693"></span></p>
<p>Apple introduced many <a href="http://www.apple.com/aperture/whats-new.html" target="_blank">new features</a> (like brushes with special effects, brush in/out adjustments, and <a href="http://www.apple.com/aperture/whats-new.html" target="_blank">many more</a>) in Aperture 3 and I have to say that many plugins which I use with Aperture 2 are unnecessary and even useless. One of the most important feature for portraits for me is skin smoothing, a new feature in Aperture 3. There are many more feature in Aperture 3 and going over would take too much time. The bottom line is: it seems that I don&#8217;t need now to have any additional plugins in Aperture 3 except for <a href="http://www.iborderfx.com/BorderFX/" target="_blank">BorderFX Aperture Plugin</a> , which I mainly use to apply a watermark when exporting post-processed pictures. Unfortunately, BorderFX is still only available in 32-bit mode (at least when this post was written) and the 64-bit beta version of BorderFX has too many bugs to use it.</p>
<p>I will write why I <strong>won&#8217;t</strong> make Aperture 3 my main post-processing software in next blog post, so stay tuned.</p>
<p>[fancy_box]<strong>Post Picture</strong>: The picture attached to this article was taken in <a href="http://maps.google.com/maps?f=q&amp;source=s_q&amp;hl=en&amp;geocode=&amp;q=Woluwe+Park-Tennis+Chalet,+Brussels&amp;sll=50.82829,4.422126&amp;sspn=0.008959,0.022531&amp;ie=UTF8&amp;hq=&amp;hnear=Woluwe+Park-Tennis+Chalet,+Belgium&amp;z=15" target="_blank">Woluwe Park-Tenis Chalet in Brussels, Belgium</a>. I used Nikon Sb-900 Speedlight coming from a side and triggered using Cactus v4 Flash Trigger. EXIF Information: Shutter Speed: 1/125, F/5.6, ISO: 200, Manual Mode [/fancy_box]</p>
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